Czech

2

Not applicable.

Enhancing the stedents' knowledge of the current art scene, both in its practical, theoretical, and methodological approach. They wil also learn about the proces of writing a dissertation thesis.

None

Not applicable.

Teaching methods depend on the type of course unit as specified in the article 7 of BUT Rules for Studies and Examinations.

Credit.

András Cséfalvay (Academy of Fine Arts)
Date: Thursday 1. 10. 2015 18:00 Údolní 19, room 201
Title: Arguing no evidence in the scientific discourse dominovaným materializmom.
Abstract: underwent som arc transformations in my vocabulary in recent years, which have expanded my suspicion: muse about the world in protikladoch objectivity and subjectivity, real and fictitious, society and nature month strengthens the voice of some entities on our planet, while spoken against the voice of another, since predispose Net view. Zarážala ma imbalance. In my work I doktorskej he devoted such a manner reasoning and narration, which would return the balance, allow different approaches, and not least trying to name the place - the role for art. As part of my effort, the videoopera the New Horizons II, sci-fi story, imaginary report on the borders of our planetary system, respect for reason and imagination end.

Isabela Grosse (AVU)
Date: Thursday 15. 10. 2015 18:00 Údolní 19, room 201
Title: Gravity artistic competence. (Unscheduled fusion of art and life: Working with artistic competence where it is not usual.)
Annotation: Art college graduates a large number of artists (the number of MBA, MFA and PhD growing art) that their competence and their vision inserted into other activities. Artistic competence in this case is not lost, but is less visible because they do not operate on a normal schedule for the presentation of classical art, and stands out run-of values. My work aims to study, discuss and deepen awareness of the capacity of artistic work and its impact on the environment inartistic. So I ask: How is the potential for the artist applies in other professions and fields? It is possible to describe this effect alone and see it as a contribution to how our society works? What kind of potential is the point, unless we learn to use it consciously?

Miroslav Hašek (UJEP)
Date: Thursday, 29. 10. 2015 18:00 Údolní 19, room 201
Title: Narrative tendencies in contemporary art.
The doctoral thesis deals with the transformation of contemporary visual culture with respect to the narrative component of artwork. Notes the influence of contemporary media and digital technology on the visual arts and visual literacy in general. Work reflects the ways of storytelling in different fields of art (painting, photography, film and video). Theoretical knowledge is then used as the basis for the realization of its own artistic project.

Milan Mikuláštík (AVU)
Date: Thursday 12. 11. 2015 18:00 Údolní 19, room 201
Title: Institutional critique.
Abstract: Lecture (as well as thesis topic) addresses the critical viewing conditions for the existence of art. The author expresses the theme of the artist and at the same time from the position of curator.

Sláva Sobotovičová (Academy of Arts)
Date: Thursday 26. 11. 2015 18:00 Údolní 19, room 201
Name: Author voice.
Abstract: This lecture deals with the use of the human voice in the audiovisual work. It focuses on vocal expression in the dominant role of the work, which can draw on performance, literature or forms of personal manifestos and which the author or the author reveals his identity and position, even in cases where the testimony compiled from recycled information.

Václav Kopecký (Academy of Arts)
Date: Thursday 10. 12. 2015 18:00 Údolní 19, room 201
Title: Signs of synergy - the internal context of the photo.
Abstract: The fundamental role in the project plays an analog picture. I concentrate on the photograph in its material specificity and its formal and semantic transformations. Photo content does not become merely external context, but the meaning is evolving from internal relations. Photography inside the image.

Not applicable.

Students attending this course will have the opportunity of confronting current art issues seen through the prism of active creative strategies; at the same time, they will learn about current Czech and international artists.

70% attendance, active participation on the seminars.

Not applicable.

Not applicable.

Literatura z oblasti disertačních projektů přednášejících.
Filipová Marta, Možnosti vizuálních studií, 2008, Barrister & Principal
Korecký David, Médium kurátor, 2009, Agite/Fra
Alberto Alexander, Buchman Sabeth: Art After Conceptual Art, 2006, The MIT Press

Not applicable.

13 hours, compulsory