Detail publikace

Problém konce slohu a historiografie architektury

HORÁČEK, M.

Originální název

The Problem of Expiration of Style and the Historiography of Architecture

Český název

Problém konce slohu a historiografie architektury

Anglický název

The Problem of Expiration of Style and the Historiography of Architecture

Typ

kapitola v knize

Jazyk

en

Originální abstrakt

The essay discusses ideas about the end of styles. To use the notion “revival” in the style debate (Gothic Revival, etc.) seems to be an expression of the persuasion, that a style (Gothic) finished or died in one moment, then it did not exist for a certain period, and after that occurred again, “revived”. But is this construct correct? How can the existence of a style be stopped? Art historians invented three basic hypotheses. First, a style dies as a living organism. Second, a style continues its evolution in another culture. Third, a style disappears because it ceases to be fashionable. What serve these hypotheses for? Who likes the notion “revival” and why “revivalists” usually have not use it? How is a style retained in memory, waiting for its “revival”?

Český abstrakt

Kapitola se zabývá problematikou konce existence slohu v dějinách architektury. Pojem "revival" vyjadřuje přesvědčení, že vybraný styl na určitou dobu zmizel a následně znovu oživl. Je však tato konstrukce správná? Může být existence stylu vůbec nějak ukončena?

Anglický abstrakt

The essay discusses ideas about the end of styles. To use the notion “revival” in the style debate (Gothic Revival, etc.) seems to be an expression of the persuasion, that a style (Gothic) finished or died in one moment, then it did not exist for a certain period, and after that occurred again, “revived”. But is this construct correct? How can the existence of a style be stopped? Art historians invented three basic hypotheses. First, a style dies as a living organism. Second, a style continues its evolution in another culture. Third, a style disappears because it ceases to be fashionable. What serve these hypotheses for? Who likes the notion “revival” and why “revivalists” usually have not use it? How is a style retained in memory, waiting for its “revival”?

Klíčová slova

architektura; dějiny umění; teorie umění; styl

Vydáno

01.09.2015

Nakladatel

The Courtauld Institute of Art

Místo

London

ISBN

978-1-907485-04-6

Kniha

Revival: Memories, Identities, Utopias

Edice

Courtauld Books Online

Číslo edice

1

Strany od

86

Strany do

99

Strany počet

14

URL