Czech

3

Not applicable.

The course theoretically and historically supplements the studies of action art in the area of media and interactive creation.

Without.

Not applicable.

Teaching methods depend on the type of course unit as specified in the article 7 of BUT Rules for Studies and Examinations..

Course-unit credit.
The prerequisite for the credit is the accomplishment of assigned tasks in the form of a paper.

OBJECT IN MOTION (machine / robot) – MECHANICAL RHYTHM (ART & TECHNOLOGY)

Nam June PAIK, VASULKA'S (Steina & Woody) – Media & Robotics
Bruce NAUMAN, Joan JONAS, DUMB TYPE – VIDEO / Performance
Garry HILL, Bill VIOLA, Douglas GORDON, STUDIO AZZURRO – VIDEO / Installation
Jeffrey SHAW, KNOWBOTIC Research, VAN GOGH TV - Hi-tech & VR
SURVIVAL Research, BOW GAMELAN, Roman SIGNER, Eric HOBIJN, FISCHLI & WEISS, Cai Guo QIANG
– Explosive Processes
La Monte YOUNG, Alvin LUCIER, Pauline OLIVEROS, Terry FOX, Joe JONES, Paul PANHUYSEN - SOUND ART

FIGURE IN MOTION (gesture / dance / voice) – BIOLOGICAL RHYTHM

Iuichi INOUE, Lucio FONTANA (ZERO), Georges MATTIEU, Jackson POLLOCK
AKCIONISM – NITSCH, SCHWARTZKOGLER, BRUS, MUHL
GUTAI – YOSHIHARA, SHIMAMOTO, SHIRAGA, MURAKAMI, TANAKA
BUTO – ONO, HIJIKATA, TANAKA, SANKAI JUKU, DAI RAKUDA KAN
Merce CUNNINGHAM, JUDSON DANCE (BROWN, PAXTON, REINER, HAY, CHILDS),
Pina BAUSCH, NEUER TANZ,
SOUND POETRY (CHOPIN, GINSBERG, BORROUGHS), Meredith MONK, Diamanda GALÁS – Voice and Speach

Not applicable.

To develop the abilities to combine and incorporate theoretic knowledge in the area of action art for the sake of reflection of a complex artwork. This is achieved through the cognition of interactive forms of presentation, through the cognition of media strategies of creative entry into reality.

Lessons are obligatory.

Not applicable.

Not applicable.

HANHARDT, John G. a Nam June PAIK. The worlds of Nam June Paik. New York: Guggenheim Museum (CS)
Shanken, Edward A., Art and Electronic Media. London, New York:Phaidon Press (CS)
MEREWETHER, Charles., Rika Iezumi. HIRO a Reiko. TOMII. Art, anti-art, non-art: experimentations in the public sphere in postwar Japan, 1950-1970. Los Angeles: Getty Research Institute (CS)
ALEXANDRA MUNROE. [COORGANIZED BY THE JAPAN FOUNDATION ..]. Japanese art after 1945: scream against the sky ; [exhibition tour: Yokohama Museum of Art, February 5 - March 30, 1994, Guggenheim Museum SoHo, New York September 14, 1994 - January 8, 1995, San Francisco Museum of Modern Art .. May 31 - August 27, 1995] = Sengo-Nihon-no-zen'ei-bijutsu. New York, NY: Abrams (CS)

Not applicable.

13 hours, compulsory